The main inspirations for these rooms are Sir John Soane’s toplit galleries for the Dulwich Picture Gallery and the church interiors of Filippo Brunelleschi. (The stone dressing is in pietra serena, the grey stone local to Florence.) The northernmost galleries align with Barry’s central axis, so that there is a single vista down the entire size of the gallery. This axis is exaggerated by means click for info of false perspective, as the columns flanking each opening steadily diminish in measurement until the customer reaches the focus , an altarpiece by Cima of The Incredulity of Saint Thomas.
